cross-posted from: https://kbin.social/m/movies/t/664183

The mixed response to Emerald Fennell’s 00s-set thriller evinces a movie-going conundrum: how do we assess entertainment that is predominantly indexed on vibes? By now, the buzz around Saltburn, Emerald Fennell’s sweaty, lascivious sophomore feature about a middle-class interloper in a vacuously rich family, has begun to settle into two camps. On one side, viewers and the plurality of critics who find the film, which had one of the most successful limited releases this year in the US before expanding nationwide last weekend, to be a flashy, self-satisfied mess of empty provocations. And on the other, those who see Fennell’s remix of Brideshead Revisited and the The Talented Mr Ripley with a dash of mid-aughts Abercrombie & Fitch as a successfully absorbing erotic thriller with titillating shocks. Depraved, but in a fun way, to summarize the predominant sentiment on TikTok.

Everyone agrees that Saltburn, for the most part, looks good – lush, attractive, expensive. (It helps that it stars the Euphoria actor and ascendant screen heartthrob Jacob Elordi.) But are its squirm-inducing visuals – a character slurping another’s cummy bathwater, a literally cocky ending – the mark of perverse genius, or cheap, hollow tricks masquerading as it?...

cross-posted from: https://kbin.social/m/movies/t/664158

Focus Features has scheduled the movie for Dec. 25, 2024. On its current release date, “Nosferatu” will land on the big screen a few days after Disney’s “Lion King” prequel “Mufasa” and Paramount’s “Sonic the Hedgehog 3,” both of which open on Dec. 20.

Eggers wrote and directed this take on “Nosferatu,” which features an ensemble cast of Bill Skarsgård, Nicholas Hoult, Lily-Rose Depp, Aaron Taylor-Johnson, Emma Corrin, Ralph Ineson, Simon McBurney and Willem Dafoe. It’s the second remake of F. W. Murnau’s iconic 1922 Dracula-inspired silent movie, following Werner Herzog’s 1979 film “Nosferatu the Vampyre.”

The new imagining of the cinematic classic is described as a “gothic tale of obsession between a haunted young woman and the terrifying vampire infatuated with her, causing untold horror in its wake.”

cross-posted from: https://mastodon.social/users/AftermathSiteUnofficial/statuses/111488797737287529

More Remakes That Aren’t Actually Remakes, Please
https://aftermath.site/more-remakes-that-arent-actually-remakes-please

@movies
#AftermathSite #Movies

cross-posted from: https://feddit.uk/post/4954415

The digital world, I’m realising, is a bit of a racket. Recently most of my iTunes library disappeared from my iPhone, and I just don’t know if I can be bothered to go through all the different hoops, portals, queueing systems and long forgotten passwords to get them back again. I’ve also had the repeated experience of trying to view a film I’ve downloaded on Amazon, only to get that little square in the middle of the screen telling me that the player’s having issues at the moment, and would I, could I try again later? Meanwhile, the CDs and DVDs reproach me from my shelves like an abandoned spouse. ‘We were once your rock,’ they remind me, ‘And you traded us for tech-tinsel, a piece of cyber-skirt. How are you feeling now?’

I feel what I’ve always felt – that DVDs and Blu-rays were the summit of the film-lovers’ experience, and that progress should have stopped forever after that. Perhaps downloads or streamable films can have the picture quality of a Blu-ray (someone will doubtless tell me they do), but works of art should produce an artefact, something you can hold in your hand and own.

...

So my Blu-ray collecting goes on, but it’s strictly finite. I don’t want any film I don’t actually love (this rules out the collected Tarkovsky or Bergman, things I’d like to think of myself as liking rather than actually wanting to watch). My ambitions in fact are modest: the middle period works of Woody Allen (they’re about £25 a piece and should be), the odd Hollywood classic (the more technicolour the better) and some of those gritty 1960s northern films (the kind Morrissey purloined for his album covers) starring Tom Courtenay and Rita Tushingham. Then, barring the odd hiccup, I’m done.

Archive link

cross-posted from: https://kbin.social/m/movies/t/657868

Director Francis Lawrence shares exciting progress on Constantine 2, with production set to resume after the Thanksgiving holiday.

• Constantine 2 is slowly becoming a reality with a dedicated team behind it.

• The project faced challenges due to shifts in direction and creative control.

• The team now has control of the character and is determined to create a real rated-R version of the film.

Warning: this review contains SPOILERS for "Doctor Who: The Star Beast"

cross-posted from: https://kbin.social/m/movies/t/653783

Loading Docs is a unique initiative that produces short documentaries that move, inspire and challenge audiences locally and internationally, while developing and promoting New Zealand filmmaking talent at home. So far they have been watched by over 17.8 million people.

After selecting a group of short documentary proposals, participants are offered a unique professional development opportunity. Filmmakers are then partially funded to create their short, alongside participating in a talent development programme that challenges them to expand their skills and knowledge in story development; identifying, targeting and connecting with audiences and increasing their understanding of marketing and distribution strategies in the current media climate.

cross-posted from: https://kbin.social/m/movies/t/649719

Yamazaki Takashi’s period blockbuster acts as a companion piece to the 1954 film where Godzilla made his debut, giving space to human stories and national politics while letting its seventy-year-old icon wreak impressive havoc on land and sea.

“Gaza is currently being treated like a concentration camp,” she wrote in one post on Instagram stories. “Cornering everyone together, with no where to go, no electricity no water … People have learnt nothing from our histories. And just like our histories, people are still silently watching it all happen. THIS IS GENOCIDE & ETHNIC CLEANSING.”

A spokesperson for Spyglass, the company behind the Scream franchise, issued a statement after the initial publication of this article: “Spyglass’ stance is unequivocally clear: We have zero tolerance for antisemitism or the incitement of hate in any form, including false references to genocide, ethnic cleansing, Holocaust distortion or anything that flagrantly crosses the line into hate speech.”

cross-posted from: https://lemmy.world/post/8583197

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