Science Fiction

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This magazine is aimed at fans and creators of sci-fi and related media of all kinds. It includes all content related to the sci-fi genre and only content related to the sci-fi genre. The goal is to build a community for everyone who enjoys science fiction and related topics. This includes the obvious books, movies, and TV shows, but also original writing, the discussion of writing SF, futuristic art and designs, and the science and technologies that inspire the sci-fi genre. **Team Top 20**

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Fox's ad-supported SVOD service is teaming up with writers' resource the Black List on the "To Be Commissioned" initiative.

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The ability to jump forward and backwards in time has long fascinated science fiction writers and physicists alike. So is it really possible to travel into the past and the future?

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3 Body Problem, the upcoming Netflix sci-fi epic from the creators of Game of Thrones and The Terror: Infamy, has been pushed back to March 2024.

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Anthony Daniels, who played C-3PO, could sell the famous gold helmet he wore at auction for £1m.

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Last weekend, Elon Musk announced that his artificial-intelligence startup, xAI, was launching a chatbot with “a bit of wit” and “a rebellious streak,” known as Grok. As Musk explained, Grok is modeled on the Hitchhiker’s Guide to the Galaxy, a snarky manual for interstellar travelers that the humorist Douglas Adams concocted for his classic 1979 novel of the same name.

The origins of the chatbot’s name, however, lie in an entirely different work of science fiction. “Grok,” a verb meaning “to understand deeply or intuitively,” was coined by Robert Heinlein for his 1961 novel “Stranger in a Strange Land.” In Heinlein’s tale, a human born and raised on Mars is brought to Earth as an adult and displays psychic powers.

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The success of the anthology series has led to a string of lesser copycat shows and films in a genre that needs to look beyond. If this sounds to you like the premise of a Black Mirror episode, you would be correct. That’s loosely the synopsis of Hang the DJ, the fourth installment of the British futurist anthology series’ fourth season, released on Netflix in late 2017. It’s also the basic summary of Fingernails, a new Apple TV+ film released this month and the latest in a string of underbaked yet overdone emulations of the show which presaged the future with varying levels of clarity.

The two productions have their differences – in the episode, Black Mirror’s Amy (Georgina Campbell) and Frank (Joe Cole) choose to be together despite a negative test result, only to discover that they’re in a simulation of outcomes for a real couple with a 99% chance of compatibility. In the movie, no computer glitch can save Anna (Jessie Buckley) from a stagnant relationship with her test-confirmed boyfriend Ryan (Jeremy Allen White) or her test-confounding attraction to her co-worker Amir (Riz Ahmed). Fingernails, written and directed by the Greek film-maker Christos Nikou, is starrier, more expensive, more clearly aiming for prestige sci-fi.

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"We are opening up this 'Sci-Fi, Sci-Fact' exhibit and the idea is to go into some of the fun of exploring how science fiction has sometimes turned into science fact and how sci-fi has affected sci-fact. Basically, how they constantly influence each other," New Mexico Museum of Space History Executive Director Chris Orwoll said.

The museum, Orwoll said, also planned to expand its gallery offerings for visitors.

"We will have a new 'early space' gallery and a new 'preparing human for space' gallery for Fall of 2024," Orwoll said. "So, we are essentially preparing five new galleries by next fall, it'll be an insanely aggressive year for us while also staying open."

Orwoll said the planning and design stages for those galleries are still underway, though it will be some months before their completion.

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Scavengers Reign animates the horror of a sci-fi habitat pushing back against humanity.

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Star Trek II: The Wrath of Khan is regarded as one of the best, if not the best, Star Trek movie of all, but Star Trek Generations and Star Trek: First Contact co-writer Ronald D. Moore also points out the "bad way" Star Trek II impacted the movie franchise. Ricardo Montalbán played the titular, genetically engineered villain, and his menacing, scenery-chewing performance set the gold standard for every Star Trek movie villain to follow. But as Moore assesses, Khan became a double-edged sword for the Star Trek movies.

In the oral history "The Center Seat: 55 Years of Star Trek" by Peter Holmstrom, Ronald D. Moore hailed Star Trek II: The Wrath of Khan as "a classic" and "a fan's dream" that "works on every level." However, Moore also describes the negative impact Wrath of Khan made on every Star Trek movie that followed, as Paramount continually demanded that each film had a villain like Khan. Read his quote below:

It's the one that's referenced over and over again. In some ways, in a bad way. Because I could easily make the argument that what Wrath of Khan did was it permanently sent every Star Trek film down the same path. They all then, with the exception of IV, went, "We need a villain like Khan." I can't tell you how many times I heard that. "We need a Khan. Who's the Khan in this movie?" It all became about emulating that story.

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The Silo comparison isn’t unearned: Beacon 23 is based on a short story collection by Hugh Howey, who wrote the source material for Silo. The series follows a space lighthouse (Howey really has a thing for cylindrical buildings) and the various keepers who have lived there over the years. The first episode focuses on government agent Aster (Lena Headey) and Halan (Stephan James), and their storyline weaves in and out of those who came before, building to a huge secret that’s just as fascinating as it is a classic sci-fi trope.

Because of the short-story source material, Beacon 23 is able to use a non-linear, episodic structure that almost echoes single-set anthology shows like Room 104. Showrunner Zak Penn, best known for writing early drafts of a bunch of MCU movies including The Avengers, uses the structure of the show to his advantage: with every episode centered in the eponymous Beacon, the relatively low budget is expertly hidden.

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Any writers on /m/scifi up for critiquing my middle grade scifi novel query? Here it is:

Sometimes you have to leave Earth to find home…

Meet Micah “Mike” Thomas, a 12-year-old boy whose life is thrown into chaos after his mother’s passing. He longs for a return to normalcy, but his grandmother, a female version of Elon Musk, has other plans. His new reality is a nightmare: friends desert him, grades plummet, and his dad’s emotional absence deepens. His sister, Jenn, drowns her grief as a social media influencer addicted to attention at any cost, while Grandma – intent on punishing Mike’s dad for her grief – tightens her grip on the broken family.

In search of a fresh start, Mike’s dad takes a new job in Santa Fe, but the challenges persist. His sister’s social media obsession grows, and his father remains emotionally distant. Even his trusty AI companion can’t fill the void. The new job brings a secret project – the world’s first space elevator – putting the family in the crosshairs of Grandma’s narcissistic rage.

Mike yearns for his mother’s return and a shot at a normal kid’s life, impossible when Grandma forces him to spy on his own dad. Beating Grandma at her own game requires a journey into the stars and into the heart of his family’s deepest pain. Mike will rescue the space elevator – and his family – from Grandma’s destructive designs, even at the cost of his AI best friend.

“MIKE.SIERRA.ECHO” is a 65,000-word Middle Grade hard sci-fi thriller set in Boston, Santa Fe, and Ecuador, 150 years into the future. It will engage readers who enjoyed “We Dream of Space” by Erin Entrada Kelly and “Rebecca Reznik Reboots the Universe” by Samara Shanker.

#scifi #writing #amwriting

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Science fiction novels and movies are packed with far-out ideas, most often as the springboard for an action-packed adventure rather than a serious attempt to predict future trends in science or technology. Some of the most common tropes, such as accelerating a spacecraft to fantastic speeds in a matter of seconds without crushing the occupants , are just plain impossible according to the laws of physics as we understand them. Yet those very same laws appear to permit other seemingly far-fetched sci-fi concepts, from wormholes to parallel universes. Here's a rundown of some of the sci-fi ideas that could really be done — in theory, at least.

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Jeanne DuPrau’s “Project F,” Patricia Forde’s “The Girl Who Fell to Earth” and Donna Barba Higuera’s “Alebrijes” answer the question, Could this be the beginning of the end?

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After Avengers: Endgame, the Marvel Cinematic Universe has never been the same, and there are some aspects of the movie that explain how it broke the universe. The latest of Marvel Studios' Avengers movies, 2019's Avengers: Endgame, is the biggest superhero movie of all time. The MCU was at the height of its popularity during Phase 3, so when it came time to end the Infinity Saga, Marvel had to deliver, and the studio did so in spades. Avengers: Endgame was the perfect finale to the Infinity Saga, superbly wrapping up the more than 10 years of storytelling the MCU had set up to that point.

Following Avengers: Endgame's ending, the MCU had to radically change. Marvel Studios was able to release more projects in Phase 4 than it had ever done before — Phase 4 had a mind-blowing 18 projects over just two years, almost matching the Infinity Saga's 23 movies in an 11-year span — thanks to Disney+. While the addition of TV series and other formats to the MCU allowed Marvel to introduce more characters and give supporting heroes their time to shine, which movies would not have allowed, there was a clear quality drop from Avengers: Endgame to Phase 4's movies and series. Sadly, Avengers: Endgame contributed directly to the MCU's recent disarray.

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Science fiction spaceships seen from a person's point of view. Want to see more ships? don't miss this comparison: https://youtu.be/tG8uC24Gbos≈ - Approximat...

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By the time Billy Dee Williams was approached to play Lando in the Star Wars franchise, he was concerned about being typecast as a 'romantic character.'

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The rebels were the original good guys of the Star Wars franchise who saved the galaxy from the evil Empire, but there are still things about the Rebellion that make no sense. Some flaws with the Rebel Alliance were always apparent from the start of the original trilogy, while other problems arose through subsequent sequels and prequels. The Star Wars movies and TV shows fleshed out the history of the Rebellion while telling new stories of their fight against tyranny, but this also created questions that haven't always been answered.

These issues may take some viewers out of the experience when revisiting the original Star Wars movies. The problems with the Rebellion also set up similar problems for the Resistance in the Star Wars sequel trilogy, which drew heavily from the rebels fighting against the Empire. Some plot holes can be explained or justified as crucial parts of a story, but there are still 10 things about the Rebellion that make no sense in Star Wars.

RELATED:
New Star Wars Movies: Every Upcoming Movie & Release Date

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How Are The Rebellion So Well Organized?
Cassian Andor In Rogue One: A Star Wars Story
Cassian Andor and the rebel base on Yavin 4.
The Rebel Alliance was fairly well-organized once the various factions came together, but this is confusing because of how they are presented across the Star Wars franchise. They were scattered after A New Hope, were defeated in The Empire Strikes Back, and were engaging the Empire across the galaxy in Return of the Jedi. Rogue One: A Star Wars Story showed how divided the Rebel Council was even before the start of the Galactic Civil War, with several members abandoning the cause. With so much internal chaos combined with the Empire's relentless hunt, it's hard to believe the rebels could remain so well-organized.

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How Did The Rebels Suddenly Build Such A Massive Fleet After ANH?
The Rebellion Regroups In The Empire Strikes Back
C-3PO, R2-D2, Luke Skywalker, and Leia Organa looking into space in The Empire Strikes Back.
After the collapse of the Rebel Council, the devastation of the Battle of Scarif, and the losses at the Battle of Yavin, the Rebellion's resources were dwindling at the end of A New Hope. However, The Empire Strikes Back showed that they had amassed an impressive fleet on Hoth, and Mon Mothma implied they had additional forces across the galaxy beyond what was seen at the Battle of Endor. It's never directly explained how the Rebellion compensated for these losses or developed an armada to match the Imperial fleet in battle. Many worlds would join the Rebellion after the Death Star's destruction, but just as many would be terrified.

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Why Did The Rebels Not Check The Falcon For Trackers?
The Millennium Falcon
Millennium Falcon from Star Wars
Princess Leia Organa may have been a great rebel leader, but she showed poor judgment regarding the Death Star plans. She knew the Empire let them escape to track them, yet she still went straight to the rebel base instead of meeting with another ship. The rebels then failed to check the Millennium Falcon for trackers, which would have confirmed Leia's suspicions and allowed them to remove it immediately. It seems reasonable that the Rebellion would be more cautious after keeping their base a secret for so long.

The novelization of Star Wars: The Force Awakens by Alan Dean Foster hinted that this same tracker allowed the First Order to find the Falcon 34 years later.

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Why Would Every Rebel Faction Rally Behind Restoring The Republic?
Saw Gerrera Questioned Mon Mothma's Goals In Andor
Saw Gerrera and Star Wars Rebel Alliance in Andor
The Rebellion's full title was the Alliance to Restore the Republic, but this approach had a glaring issue. The Empire came to power because the Old Republic was so corrupt, and half the galaxy hated the Republic during the Clone Wars. Saw Gerrera observed this problem in Andor season 1, calling out neo-Republicans like Maya Pei and former Separatists like Anto Kreegyr for trying to bring back the systems that caused the war in the first place. Perhaps the galaxy was willing to rally behind anything that opposed the Empire, but Mon Mothma could have gained more support by proposing a new government altogether.

In the Star Wars Legends continuity, the New Republic was eventually replaced by the Galactic Federation of Free Alliances (a reference to "Galaxy Far, Far Away").

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How Did The Rebels Not Learn About The Death Star Sooner?
Cassian Andor Learned About The Death Star First In Rogue One
Andor's Death Star and Cassian Andor.
The Rebellion did not learn about the Death Star until shortly before it was unleashed on the galaxy, but they should have uncovered its existence long before that. All it took was one Imperial pilot to defect and a rebel informant to tell Cassian Andor what the Empire was building for the Rebellion to take action. This was Galen Erso's attempt to sabotage the project and save the Alliance, but it was unclear why he waited until the station was near completion. Not to mention that hiding the construction of a weapon the size of a moon would be nearly impossible to keep secret.

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The Rebels Should Have Had A Better Strategy For The Death Star Plans
Princess Leia Gives The Death Star Plans To R2-D2 In A New Hope
Leia giving R2D2 the Death Star Plans in Star Wars
Even before Leia led the Empire straight to the rebel base, she brought them to Tatooine as well. Rather than having another ship take the plans while she served as a distraction or waiting until she had escaped to find Obi-Wan Kenobi, she combined her two missions and comprised both. Leia was captured 10 minutes after the Battle of Scarif, and she had to send the plans down to the planet with R2-D2, nearly exposing Obi-Wan in the process. After all the trouble the rebels went to acquiring the Death Star plans, they should have planned a proper escape.

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The Battle of Scarif Was Not The Rebels' "First Victory"
A New Hope Opening Crawl
Star Wars A New Hope Opening Crawl
The opening crawl of A New Hope claimed that the rebels stealing the Death Star plans was "their first victory against the evil Galactic Empire.", but the other movies and TV shows contradict this statement. Star Wars Rebels saw the rebels score numerous victories against the Empire, even if they were small or temporary ones. The number of rebel factions in Rogue One and the Empire's concern in A New Hope leads to the natural conclusion that the rebels must have had enough significant victories to be a problem. The "first victory" could have meant the first victory of the official Galactic Civil War, but either way, it is confusing.

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The Rebels Should Have Evacuated Yavin 4 Immediately After The Death Star Battle
Award Ceremony On Yavin 4 In A New Hope

The award ceremony at the end of A New Hope is one of the greatest movie endings of all time, but this doesn't change that the rebels were wasting precious time. Luke Skywalker had just destroyed the Empire's ultimate weapon, and the rebels lost multiple squadrons, meaning they should have evacuated immediately. The rebels started evacuating Echo Base on Hoth when they suspected the Empire knew where they were, yet they took time for a celebration in A New Hope. The Empire could have sent its fleet straight to Yavin 4 to take revenge, much as the First Order did in Star Wars: The Last Jedi.

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Why Did The Rebel Ships Fly Toward The Star Destroyers While Fleeing Hoth?
A Rebel Transport Flees Hoth In The Empire Strikes Back
A Rebel Alliance transport flees Hoth in The Empire Strikes Back.
Despite the urgency of the rebel evacuation on Hoth, it seems odd that they flew directly toward the Star Destroyers in orbit. They may have had an ion canon that could short out a ship's systems, but the rebel transports could have exited the planet where the Empire had no Star Destroyers. The best explanation is that the Imperials were blocking the only safe hyperspace route out of the system, but Luke and at least one rebel transport seemed to have an easier time escaping. It may have been safer for the rebels to fly away from the Star Destroyers while taking the time to plot an alternate hyperspace jump.

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Mon Mothma Was A Bad Leader
Mon Mothma In Return Of The Jedi
Star Wars Rebels steal second Death Star plans how bothans
Mon Mothma was a woman of uncompromising moral conviction and was instrumental in forming the Rebel Alliance, but she often failed as a military leader. She refused to exert authority over members of the Rebel Council, causing them to go behind her back or refuse to listen. Her unwillingness to act also led to Admiral Raddus taking the initiative and drawing the Alliance into the Battle of Scarif. Mon Mothma carried these problems into her role as Chancellor of the New Republic, relinquishing too much executive authority and letting career politicians like Senator Hamato Xiono walk all over her.

However, it is understandable why Mon Mothma limited herself in this way. She formed the Rebel Alliance as a last resort and knew she risked becoming like Palpatine by relying too much on his methods. Rather than grabbing power for herself, she trusted the Rebellion and the New Republic with the freedom they had fought for. Unfortunately, this made her unequipped from a military standpoint, and her policies allowed the New Republic to ignore the threat of the Imperial Remnant and the First Order. Mon Mothma's contributions to the galaxy were undeniable, but she is still one of many things that make no sense about the Rebellion in Star Wars.

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Those of you who’ve watched Star Trek: The Original Series have likely feasted your eyes on an original three-foot model of the ship that has been missing for decades. Thanks to some Trekkie sleuth…

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#FediBookFair (media.kbin.social)
submitted 2 years ago* (last edited 2 years ago) by inkican@kbin.social to c/scifi@kbin.social
 
 

#FediBookFair

Happy to say that The Battle of Victoria Crater Part I and Part II are now online! The novella takes place in the desolate Martian frontier of Victoriaville, a brave community of settlers faces relentless threats from mercenary bandits working for a powerful Earth corporation, WTO. At the same time, life as a Martian teenager comes with some interesting challenges. This time, the light at the end of the tunnel comes with grim news – not only are the bad guys on their way, so are desperate refugees and a monstrous dust storm. Pete and Martin risk everything to rescue the plucky pioneers from certain doom. Martin learns in the grinding dust and darkness that victory is something you win, one step at a time.

You can listen for free or buy the ebook andaudiobook versions online at https://inkican.com/braintacos-science-fiction-audio-books-short-stories/. Thanks for reading - enjoy your weekend!

#scifi #videos #books #audiobooks #ASMR #Mars #space

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"I want to grab them from the sky and throw them back to wherever." They have arrived. Are you ready? 🛸 It's time for something strange and unsettling. The highly anticipated sci-fi short film From Beyond is available to watch online now. This was initially teased last year with a trailer just before its Fantasia

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With direction by Toshio Kawaguchi (an accomplished journeyman in the industry if there ever was one, with credits that run from Akira to Studio Ghibli to Neon Genesis Evangelion), Pluto tells the story of a robot detective named Gesicht and the wave of murders of robots and humans that he’s tasked with investigating. Gesicht’s work leads him to discern that a killer is targeting both the most advanced robots in the world and the people involved with supporting International Robot Laws. However, whatever might seem clear cut in the beginning reveal themselves to be forces beyond the protagonist’s comprehension.

Pluto is littered with homages and nods — one can find bits not only from Astro Boy but the works of Isaac Asimov and Philip K. Dick and even Pinnochio and Silence of the Lambs. Its emotional cohesion renders it to be much more than an onslaught of ideas, though. At the forefront is the role of robots in the world and the ethics involved in their treatment, but it’s all wrapped up in a much wider concern about what it truly means to be conscious and if the pre-conceived barriers between humans and robots are even there at all. And in an age where arguments about artificial intelligence and the differences of algorithmic service and actual creation are ongoing, Pluto feels more than a little prescient.

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He later orbited the moon, but in 1970 he was bumped from the Apollo flight after being exposed to measles. Then, from mission control, he helped it avert disaster.

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The battle between logic and instinct continues in this tender — yet overly timid and underbaked — love story.

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Over four decades later, the Genesis Device from 'Star Trek II: The Wrath of Khan' is back. Here's what it means for 'Lower Decks.'

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