I always struggled getting friends into Monster Hunter, until recently. I still primarily solo everything but I got my one Canadian buddy into it (Rise, he said World was too slow and clunky. I'll take the win either way), and we hunt together when we have time to. My friends are always like "doesn't look like my kind of game," and sure, sometimes you can get an idea of how you'll like a game from watching gameplay. But they never even attempt to play it to see how it actually feels. They just dismiss it and move on. Feels bad, MH is fun as hell. One day I'll have a full squad lol.
Asklemmy
A loosely moderated place to ask open-ended questions
Search asklemmy ๐
If your post meets the following criteria, it's welcome here!
- Open-ended question
- Not offensive: at this point, we do not have the bandwidth to moderate overtly political discussions. Assume best intent and be excellent to each other.
- Not regarding using or support for Lemmy: context, see the list of support communities and tools for finding communities below
- Not ad nauseam inducing: please make sure it is a question that would be new to most members
- An actual topic of discussion
Looking for support?
Looking for a community?
- Lemmyverse: community search
- sub.rehab: maps old subreddits to fediverse options, marks official as such
- !lemmy411@lemmy.ca: a community for finding communities
~Icon~ ~by~ ~@Double_A@discuss.tchncs.de~
Demoscene stuff. Basically just digital art written for fun and to show off your coding skills. People have been doing it since the Amiga. If you've ever pirated software in the 90's to 00's, you've probably seen a realtime animation and mod-based techno track accompany the keygen - that's an example of Demoscene art.
I can't find anyone in the US, not even one of the nerds that works in tech with me, who gives a single shit about this stuff. There are parties and conventions all the time, none of them in North America...
I'm traveling to Germany at the end of March to go to a Demoparty just for the chance to meet a single other person who cares. It should be fun.
I made my own prod discovery service if you ever want to check it out: https://prods.page/ (Yes, I need to update it).
Dude I just can't get my friends to do anything other than OSRS
LSD haha, its insane and awesome, so many people should experience it before thinking they know themselves.
Virtual Reality has completely revitalized my long dead interest in gaming. I initially I got into it during COVID just to socialize but then I started being immersed in games in ways I never had and it's all I want to do now.
EverQuest. I know it's old now but even when I was playing in the early 2000s, I could never get anyone to play. I was the only one I ever knew in person who played. At that time the subscription kept people away. As time went on, it was the sometimes painstaking pace, older gaming conventions, and most of all, the graphics.
the netrunner card game. All my MTG friends are so used to the idea of lootboxes and I'd rather not play anything than gamble.
Dostoevsky. Kava. My girlfriend refuses to watch Yu Yu Hakusho with me
I keep recommending Beau of the Fifth Column to people for balanced US and global political talking points. No one even tries it.
My recommendation is the work of Joel Bocko, whose website and general web presence, Lost in the Movies, is superb and really not well enough known IMO.
He's best know for his amazingly in-depth looks at Twin Peaks, including Lost in Twin Peaks (a podcast offering episode-by-episode discussion and analysis of the entire run), and the more thematically-based video series, Journey through Twin Peaks.
These are not so much in the "Try to crack the code" mode so much much TP coverage goes for - rather they are about appreciation and analysis of the show as a piece of TV/cinema; its themes and messages, its characters and plotlines, its direction and aesthetics, and its production, artistic vision and contemporary reception. They're wonderfully satisfying and well put together, and deserve much more attention.
He also does a huge amount of work on other cinema and TV, ranging from major blockbusters (usually in the form of him discussing major films he missed on initial release) to older genre movies to obscure arthouse cinema.
I can't recommend his work enough :-)