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Look, boy (infosec.pub)

submitted 3 months ago by Samdell@lemmy.eco.br to c/simpsonsshitposting@sh.itjust.works

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[–] Smokeydope@lemmy.world 23 points 3 months ago* (last edited 3 months ago) (8 children)

Its like the cinema version of brown-n-bloom from games of the 7th console generation. Filmographers discovered digital filters as a new tool so of course they are they going to use the new toy everywhere.

[–] Mmmmhmmmmmmmmmm@lemm.ee 12 points 3 months ago (6 children)

Like JJ Abrams and lense flares

[–] mindbleach@sh.itjust.works 8 points 3 months ago (5 children)

If you really hate someone, teach them to recognize teal / orange color grading.

[–] LazerFX@sh.itjust.works 4 points 3 months ago (2 children)

There are places where it's used well. The Matrix, for example. Someone elseThread said Max Max: Fury Road, and I agree on that. Those are... at the moment... the only two that aren't abominations of decolouring, though.

[–] SynopsisTantilize@lemm.ee 2 points 3 months ago

The matrix green tone is noticeable more in the 2nd and 3rd to me much more than the first.

[–] mindbleach@sh.itjust.works 2 points 3 months ago

I don't think the first three Matrix films are color-graded. The first one for sure is merely tinted. The process doesn't seem to exist before O Brother, Where Art Thou. At least it wasn't applied to whole films.

But yeah, Mad Max gets a pass for being all desert and sky. When someone has mango skin and key-lime eyes in a Miss Marple episode, fuck off.

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