this post was submitted on 05 Oct 2025
43 points (100.0% liked)

WomensStuff

665 readers
94 users here now

Women only trans inclusive This is an inclusive community for all things women. Whether you're here for make up tips, feminism or just friendly chit chat, we've got you covered.

Rules…

  1. Women only… trans women are women, and transphobic or gender critical talk isn’t allowed. Anyone under the trans umbrella (e.g. non-binary, bigender, agender) is free to decide whether a women's community is a good fit for them.
  2. Don’t be a dick. No personal attacks, no aggression, play nice.
  3. Don’t hate on groups, hatefilled talk about groups is not allowed. Ever.
  4. No governmental politics, so no talk of Trump actions etc. We recommend Feminism@beehaw.org for that, but here is an escape from it.
  5. New accounts or users with few comments may have their posts removed to prevent spam and bad-faith participation.

founded 6 months ago
MODERATORS
you are viewing a single comment's thread
view the rest of the comments
[–] ZDL@lazysoci.al 6 points 3 days ago* (last edited 3 days ago)

This one will probably be a bit contentious, but hear me out first.

That '60s/'70s TV show The Avengers. The time with John Steed and Emma Peel, specifically. (I haven't watched enough of the pre-Peel episodes to form an opinion, and the post-Peel episodes were horrible in this regard with Tara King spending most of each episode unconscious or imprisoned.)

Now you have to filter for the times if you want to appreciate the status of women in The Avengers. Yes, Emma Peel was a sex magnet (she was specifically named to mimic the sound of "Man Appeal") and eye candy. But unlike most such shows of the era she wasn't only that. She was, in fact, John Steed's—ostensibly before her introduction the main character of the series—full-on equal.

Did she spend a lot of episodes imprisoned, unconscious, or otherwise ineffective until saved by John Steed? Sure! Dozens of times. But the reverse is also true! About the same number of times Emma saved John from certain doom. And indeed one of the more famous episodes ("The House That Jack Built") had Emma trapped in a death house, and John desperately trying to find her to rescue her, only to have her rescue herself and step out while John was breaking into the same house. She solved the puzzles, worked out the mechanisms, and broke free of the house meant to drive her mad and then kill her before the male lead could get there and rescue here (or, rather, simultaneously with).

She was a martial arts badass (by the standards of the time: you have to keep your '60s/'70s filters firmly in place) and a top-notch fencer. She was of superior intellect. She was an artist. She was, basically, good at everything she chose to do (and the key word there is "chose": she had actual agency). While stylin' all the way.

In the modern milieu she'd be an anachronistic throwback to a more sexist age (because make no mistake, the age in which she came out was incredibly sexist), but put her in that old milieu and she stands out as incredibly progressive for the time.

(I ... ah ... may have a little bit of a crush on Dianna Rigg, so take this with some grains of salt. 😅)