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r/startrek: The Next Generation
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Upcoming Episodes
| Date | Episode | Title |
|---|---|---|
| 02-19 | SFA 1x07 | "Ko’Zeine" |
| 02-26 | SFA 1x08 | "The Life of the Stars" |
| 03-05 | SFA 1x09 | "300th Night" |
| 03-12 | SFA 1x10 | "Rubincon" |
| TBA | SNW 4x01 | TBA |
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We’re going to need to differ on Ronald D. Moore.
I wish Trek fans would stop calling for him to helm the franchise when we have not seen adequate evidence that he can carry through to make the kind of Trek that represents IDIC for future.
What I am seeing from him is a pattern of starting great new shows but not having as great ideas about following through long multi season arcs.
The Battlestar Galactica reboot was riveting for the first two seasons and then spiralled to a disappointing conclusion.
For All Mankind spun out in seasons two and three with an Oedipal storyline about a kid who becomes obsessed with his foster mother and wreaks havoc. Not to mention that all the heroic women characters in from season one had to be shown to deeply flawed by season three in a very male-perspective way.
For All Mankind isn’t as bad in terms of having a cisgender-male viewpoint writing women leads as say the Sheridan show Lioness, but it’s not succeeding as a show women see themselves in.
I can't comment on For All Mankind, I haven't watched it yet, so I will take your word for it. I can only speak about what's in my sphere of awareness, but it sounds like you've not had a good time with it.
I have to ask, did you not mean to level your criticism of BSG post season three, rather than post season two?
Three is arguably the best season of the series. It had so many highlights, from the devastation of New Caprica, to the climax at the end of the season that the series spent three seasons building towards. There's so much to point towards in that season that was truly excellent sci-fi.
If you made a typo/mistake, and you actually meant post season three, I can understand your view point and completely agree that from then onwards it wasn't quite the same. But where we differ is in regards to blame. I think you're missing important context.
There was a writers guild strike at the end of season three, and it completely derailed the series from then onwards. In fact, it wasn't the only series that suffered in such a fashion at that time. It's worth having s read about it if you have the time:
https://en.wikipedia.org/wiki/Effect_of_the_2007%E2%80%9308_Writers_Guild_of_America_strike_on_television
I don't think it's just to lay this particular criticism at Ronald D. Moore's feet.
I am also struggling to reconcile what you've said about his weak portrayal of women in For All Mankind when he did such an incredible job on BSG. If that's the case I'm heartbroken.
The reason why I am so enamoured with the idea of an RDM helmed Trek is because Trek has shown consistently that it thrives when it leans more into standalone series over serialisation.
Its current hybrid approach is a strength that SNW and SFA has shown works. This is something I feel RDM has shown he can do excellently in the past. BSG was an excellent example of hybrid serialisation until the strike. And for his series work, his writing credits in TNG alone are exemplary:
"Yesterdays Enterprise" "Data's Day" "Ethics" "Disaster" "Tapestry" "Sins of the Father" "The Pegasus" etc...
I’m going to say that I saw some of the problems to come in BSG season three, but I still bought the physical media up to that point.
I don’t think you can blame it all on the writers strike, any more than you can blame Picard season two or Discovery season four’s weaknesses on the pandemic.
Other shows managed better. It’s the test of a good senior production executive to manage through those situations.
I was deeply disappointed in where For All Mankind took its women characters. I was hoping that having Naren Shankar join after he finished with The Expanse would redeem it, but it just kept getting worse in its treatment of women.