this post was submitted on 27 Sep 2025
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Firefly

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"Bushwhacked" is the third episode of the science fiction television series Firefly created by Joss Whedon.

SynopsisSerenity encounters a drifting spacecraft which turns out to be an obsolete short-range transport scow converted into a one-way settler vessel for passage to the "Outer Planets". Captain Mal decides to investigate the ship, eager to loot it for any valuable supplies or cargo. He sends his crew off in teams to explore the ship, while he and Zoe head to a section that he suspects holds the most valuable supplies.

River leaves the ship and finds Mal and Zoe before pointing out mutilated bodies hanging from the ceiling. Mal knows what did this and orders everyone to regroup in the engine room, but Jayne is ambushed by a mysterious attacker and fires his gun wildly. Mal finds the wounded man hiding behind an air grate and has him brought back to the ship.

As Simon treats the wounded man, Mal reveals to the rest of the crew that he must be the lone survivor of a Reaver attack. He explains how the Reavers, once settlers themselves, were driven insane after seeing the nothing at the "edge of the galaxy" and now commit unspeakable acts of evil against anyone they encounter. He allows Shepherd Book and Simon to give the dead a proper funeral, while Kaylee removes a Reaver booby trap that attached itself to Serenity when they docked earlier.

Once the derelict ship's cargo is aboard, Serenity starts to leave, only to be stopped by an Alliance cruiser. Armed troops board the ship and find Mal and everyone but River and Simon waiting for them, the salvaged cargo plainly in sight to avoid accusations of theft. Alliance Commander Harken accuses them of harboring two fugitives and detains them for questioning.

Commander Harken interviews each member of the crew while his crew tend to the survivor and ransack Serenity. The space-suited Tams are undetected; Mal had shown them where to cling to on the outside of the hull knowing that the Alliance wouldn't think to check there.

Harken, aware of Mal's past as a Browncoat, accuses him of attacking the settler ship, revealing that the survivor's tongue has been split and implying that Mal did it to keep him from speaking. Mal realizes that the survivor is becoming a Reaver, having been traumatized by what he witnessed. Harken dismisses Mal's idea as nonsense designed to avoid blame and orders that Serenity be impounded so that it can be sold at auction. As Harken prepares to confine Mal, his lieutenant informs him that the survivor has killed the medical personnel attending to him and escaped. Mal convinces Harken that he knows where the madman will go. Harken allows Mal to lead him and his soldiers back onto Serenity. The survivor attacks the soldiers, but Mal is able to break the Reaver's neck, saving Harken's life. As a result, Harken allows the crew of Serenity to go, though he still confiscates their cargo. After Serenity undocks, the cruiser is seen firing on the derelict ship, destroying it.

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[–] showmeyourkizinti@startrek.website 2 points 5 days ago* (last edited 5 days ago)

Sorry I'm late but I needed to catch up. Just to start with this one is NOT a charming, funny romp, unlike The Train Job. Seriously tonally this episode sticks out like dog's bollacks, compared to the ones around it, and I love it. Creepy first look at the Reavers and what they do. "Reavers ain't men. Or they forgot how to be. Come to just nothin'. They got out to the edge of the galaxy, to that place of nothin', and that's what they became." I mean we hear Zoe talking about them but damn that reveal of the pile of corpses was chilling. The episode started slow for me but one River started Riverin' and we find the crazy guy I was all in on the space-western / slasher film combo.

More Stand Out Moments:

  • The opener with the crew playing a modified version of Tlachtli was a hoot. Everyone getting in to the games with Inara and Simon sitting on the outside looking in. You get the feeling the cast was having fun with the game too.
  • I especially like how Jayne keep going a little too hard with the trash talk. It solidifies him as an asshole but gives him room to grow.
  • The mystery of River's powers are starting to grow and it one of the thing I really wish they had had the time to properly do.
  • Book talking them in to the need to take care of the dead "How we treat our dead is part of what makes us different... than those did the slaughtering." and then the switch where it turns out Mal was worried about a bomb.
  • Mal's plan to hide the Tams - the way he yells at Jayne to pull the cargo out the hidey-hole and his "I aint' fixin to argue" to the reveal of them being suits outside. Just an awesome bait and switch.
  • The cops tossing the dinning room, like dude the Tams aren't under the place mats why are you throw the shit all over the floor?
  • Interviews: -- Zoe going "We don't like to talk about our relationship" going to a hard cut of Walsh not shutting up about hot his wife is. -- Kaylee bitching about engines to the point where the officer is rolling his eyes. -- Inara ... what can I say she's just so cool. -- The whole thing is just little masterclasses in each character.
  • Shout out to the whole bit from Zoe "You fought with Captain Reynolds in the war?" - "Fought with a lot of people in the war." - "And your husband?" - "Fight with him sometimes, too." - My partner wet themselves laughing at that one.
  • The ratcheting up of the tension during Mal's interview is a nice touch too setting up that Brody vs the Mayor in Jaws vibe where he knows whats coming and nobody is believing him. <chef's kiss>
  • I'd really like to point out the violence, or really the lack of on screen. The cuts in the Alliance emergency room where we see the survivor pull out his knife and then just blood splatters. The violence I'm imagining is going to be more horrifying then what they could have put on screen and so I'm more tense from not seeing it rather then if they showed it to me.
  • And the same hold true at the climax when Mal has to snap the guys neck to save the commander, what we see isn't as important as what we don't.

Finally the ending where the Commander lets the Serenity go but seizes the cargo. Firefly was very ACAB way before ACAB was even a movement. Mal - "He had to (take the cargo). Couldn't let us profit. Wouldn't be 'civilized'."

[–] Dadifer@lemmy.world 3 points 1 week ago (1 children)

Have you ever been with a warrior woman?