weaselsrippedmyflesh

joined 4 months ago

When Biden was President, MAGAts were scrutinizing everything Federal in their country looking for a Deep State conspiracy like someone dumbsplained the X-Files to them, meanwhile the shallow cunts they put in office are just disappearing people and culling the regime's undesirables, megacorporations are flaunting their influence out in the open, dissenting voices are being silenced publicly, and their Supreme Cheeto is blatantly working for Russian interests, when he's not moonlighting in an international web of paedophilia. But would you look at that?

No backlash from the MAGA base, no indignant outcries, no conspiracy theories, the only kool aid being drunk is the one lactating from King Orangutang's teat and his merry entourage of gaslighting sycophants.

Their Deep State has finally surfaced, but all their stockpiles of guns are apparently pulling a Chuck Schumer and waiting for the right time, which somehow isn't quite here, yet. So maybe this was never about freedom, transparency, accountability, it was about being finally enabled by the status quo to exercise their bigotry freely, transparently and without being made accountable for it.

[–] weaselsrippedmyflesh@lemmy.pt 19 points 1 week ago (1 children)

When Biden was President, MAGAts were scrutinizing everything Federal in their country looking for a Deep State conspiracy like someone dumbsplained the X-Files to them, meanwhile the shallow cunts they put in office are just disappearing people and culling the regime's undesirables, megacorporations are flaunting their influence out in the open, dissenting voices are being silenced publicly, and their Supreme Cheeto is blatantly working for Russian interests, when he's not moonlighting in an international web of paedophilia. But would you look at that?

No backlash from the MAGA base, no indignant outcries, no conspiracy theories, the only kool aid being drunk is the one lactating from King Orangutang's teat and his merry entourage of gaslighting sycophants.

Their Deep State has finally surfaced, but all their stockpiles of guns are apparently pulling a Chuck Schumer and waiting for the right time, which somehow isn't quite here, yet. So maybe this was never about freedom, transparency, accountability, it was about being finally enabled by the status quo to exercise their bigotry freely, transparently and without being made accountable for it.

AFAIK, yes, and they're around the same ball park, I think cheaper on the individual plan, but a dollar more than Tidal on the Family Plan, IIRC. Nothing like trying them out.

[–] weaselsrippedmyflesh@lemmy.pt 2 points 2 weeks ago (1 children)

Right now, it's Qobuz that pays the most, and they also sport lossless audio formats as well. Tidal's still a good pick, as far as music streamers go, though.

I'm not familliar with other software from Canada, but there are a lot of european alternatives to OneDrive and afaik all of them host outside the US.

Proton Drive, Infomaniak's kDrive, pCloud are all Swiss, and Filen and Nextcloud are German, with the latter being self-hostable. I have personally tried both Filen and pCloud and found them easy to use.

[–] weaselsrippedmyflesh@lemmy.pt 1 points 2 weeks ago (1 children)

I'd like to think I have a healthy mix of both. Some albums are imo best in their original or earlier pressings (or at the very least in terms of bang for buck) and some have great remasters that make for the definitive version of the album, which can also be quite the personal preference.

For instance, early Zeppelin pressings (namely Porky Pecko and Robert Ludwig cuts) beat the most recent remasters out of the water, imo, but maybe I'd stick with the Classic Records' 45rpm pressings if I'd been one of the lucky few to get them then.

And I definitely enjoy the older pressings from Pink Floyd's DSOTM and WYWH more (have one with an HTM cut), but I like Animals' 2018 Remix the most, when it comes to that album (although I could see someone prefering the OG's sound) and the Syd Barret-era Mono versions remastered are great if you don't want to lease your ass to pay for OG pressing prices on those.

Personally, I've moved from originals to good remasters, when possible, the better my system got, because it's harder to find OGs from last century that are in good shape at a reasonable price and don't take away from your listening experience with noise.

Non-targeted ads and funding from investors, as far as I can tell.

[–] weaselsrippedmyflesh@lemmy.pt 7 points 3 weeks ago (1 children)

It's French and free.

Worked for Turkey, apparently.

Oh, they're in for it now. It's strike three, so the next time they check their mailboxes, they'll find a strongly worded letter there. That'll teach them!

Hehe, they're a niche buy, handmade from Portugal in the 00's, called Harpa Lusitana.

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submitted 1 month ago* (last edited 1 month ago) by weaselsrippedmyflesh@lemmy.pt to c/vinyl@lemmy.world
 

First time posting here and showing off the latest addition to my collection: the double 45rpm disc from Analogue Productions' Atlantic 75 series of Yes' CTTE, mastered by Kevin Gray.

Have to say I've heard a lot of versions of this album on vinyl and otherwise. I've listened to the UK original, the West German edition cut by Pfanz, the Chris Bellman remaster, the Steven Wilson version, the Barry Diament master on CD and a ripped SACD from Audio Fidelity mastered by Steve Hoffman. Aside from the SH SACD, no version quite cut it to what I wanted from this album. Until today.

To me, this is the best way to hear this quintessential album. Detailed, balanced, with lots of headroom (I mean, usually everything is just all over the place in this grand symphony of rock) and just the right amount of punch to it when needed. If I have but one "flaw" to point out is that - at least on my gear -, the vocals don't stand out as much as all the other instruments, but I wouldn't go so far as to call them buried or flat, just equally nestled in with all the others.

I'd say it's this one, then the SACD, then the Chris Bellman remaster, but I can see people prefering the latter, as it comes closer to the original UK's sound, but a bit better mastered, imo.

Does that one have the God of Thunder cover track?

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