Punk Rock

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One of the original, and currently largest, punk communities on Lemmy. The purpose of this place should be obvious from the title. Self promotion is ok, but spam is not, so keep it reasonable.

The goal is to help everyone find new tracks from around the world. Post new music, or your old favourites, but hopefully as you browse the group you'll find something you haven't heard before. Think more crate digging than top 40 streaming services.

Where possible please try to link to Bandcamp, so others can support the bands you love.

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Resources:

Some other places you might want to check out:

founded 2 years ago
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submitted 1 year ago* (last edited 1 year ago) by thystifi@lemmy.ca to c/punk_rock@lemmy.ca
 
 

What were your top releases of 2023? Another year is coming to a close, and I thought it might be an idea to compile a list of the top 23 of 2023. It could be either albums released in 2023 or just your top plays of the year. Post your suggestions in the comments below, and I'll add up the votes into a post at the start of January.

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Anything new and exciting, or sticking with the old standards?

Whether it’s streaming on Bandcamp while you work/study, playing through your phone/DAP on the bus, or spinning on your hifi, let everyone know what’s getting you through the week in the comments down below!

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Invidious link to listen for free.

It’s time for album club #5! I'm a few days late with this one, and have also decided to switch the format to monthly instead of every 2 weeks. If we start getting more participation I might look at increasing the frequency again.

This week I went with a Canadian classic. D.O.A.'s Hardcore 81. The album that lent it's name to a genre. Released in 1981, this was D.O.A.'s second album. Formed in 1978, by this point in their career the band had already opened for the Clash, and toured extensively around California with some of the other founders of hardcore punk. They would soon lose a drummer to Black Flag, and go through some lineup changes of their own. In the middle of all of that, they released what is likely their best album, Hardcore 81.

This post will stay pinned for a month, in order for anyone interested to leave their thoughts on the album. December 31st will see the launch of Album Club #6.

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submitted 2 years ago* (last edited 2 years ago) by thystifi@lemmy.ca to c/punk_rock@lemmy.ca
 
 

I've been thinking about this post for a while, ever since a similar one went up on the old Hardcore community on the now defunct waveform.social. Basically an introduction/why are we all here, and what's the point?

Why Punk_Rock?
Like many of you (I assume), I moved over to Lemmy after watching Reddit slowly (or sometimes rapidly) go to shit over the past decade+. From Front Page of the Internet to Digging it's own grave for that sweet ad revenue. I started this sub-lemmy for two main reasons:

  1. At the time, most of the other punk subs on Lemmy hadn't had new posts in half a year or more, and/or had almost no active members. I wanted to create a sub that was actually active and enticing to people during the great Reddit exodus(es).
  2. Most of the punk subs on Reddit were, well... boring. I mean, I get it, for some people listening to Teenage Bottlerocket on repeat for weeks on end has a certain comforting appeal. However, there's more out there in the big wide world than US Top 40 punk. Reddit has always been famous for headline readers, and it seemed more often than not, that's all the punk subs were too. Bad Religion or the Interupters get hundreds of upvotes in minutes, likely from people who don't even click through to listen to the music, but anything unfamiliar would get ignored, or worse, downvoted. That lead to a painfully repetitive catalogue. Some subs tried blacklists or posting guidelines, but it often didn't seem to make a big difference.

Rules? What do we need rules for?
That's not to say that you can't post Bad Religion or whatever else you like here. Feel free. I'd like to keep this place as rules-free as possible. I think, as a whole though, we can do better. What I was always looking for on Reddit was new music. Something I hadn't heard before. That's what I'm trying to do here. I want to help people find new favourite bands that rip as hard as what they're used to. That said, in this sad world we live in, basic ground rules almost always have to be stated:

  1. Don't be racist, sexist, homophobic, transphobic, etc. Basically just don't be a degenerate.

There, that was easy wasn't it?

A quick note about Spotify
Yeah, yeah, it's convenient. It's also absolute shit. Spotify is bad for artists, it's bad for listeners, it's bad for the internet. You know who Spotify is good for? Spotify shareholders and executives, that's about it.

That said, I obviously don't expect everyone to stop using it. Post Spotify links if you must, however there are better alternatives out there. One of the big ones is Bandcamp.com. Users get all the free streaming they want, there are apps in addition to the website, and most importantly, over 80% of the money, on average, goes directly to the artist or label putting out the music. That is why all of my posts (where possible) feature a Bandcamp link. Help support the artists you love whenever you can.

Holy fuck this is wordy
Yeah. Sorry about that. At the end of the day, I never really aspired to mod a community again, and I'm hoping the amount of actual moderation required remains minimal. If everyone sticks to the golden rule Just don't be a degenerate, we should be fine. So have fun, find new music, post news, scene updates, favourite songs, whatever you'd like (that's punk related), and hopefully we all come across new and exciting music along the way. Invite your friends, the more the merrier!

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I know I'm late, but then that might just be because of the 'Dave Thomas Death Protocols'

Pere Ubu - Golden Surf II (live)

Rocket from the Tombs - 30 Seconds over Tokyo (live audio, Cleveland 1974)

Pere Ubu - Final Solution (live audio, Max's Kansas City 1976)

Pere Ubu - Non-Alignment Pact

And a Pere Ubu-related anecdote found at Metafilter:

this is somebody else's story, told to me by the guy many years after the fact. Call him Keith.

Vancouver, 1979. Keith's maybe twenty years old, working the first proper job of his life and he hates it. He's a security guard at Vancouver's Robson Square Theatre which, for some odd reason is the venue for one of those oddball New Wave concerts, a unit called Pere Ubu being the headliner. Keith's never heard of them. Keith's not really into New Wave or Punk or any of that sorta angry new stuff. If he's into anything, it's more along the lines of Yes, Genesis, Emerson Lake & Palmer. But really, he's just a normal young guy stuck in a normal world. He hates his job, he kinda hates his life, but what's the alternative?

Anyway, because he's the youngest guy on the security team, Keith gets the gig, he's the one that has to stay inside the theatre for the whole show to keep a keen eye on things, call for backup should a riot break out. So he puts in some earplugs and finds a place to stand at the back of packed theatre. It's supposed to be "theatre sitting" only, but good luck enforcing that. A concert is a concert. People are dancing, lighting up joints etc. Nothing out of the ordinary for 1979. And more to the point, people are "behaving". They're not destroying anything. They're mostly just having a pile of fun -- so much for the expected punk rock nihilism he'd been fearing.

Things do kick up a notch when Pere Ubu hits the stage. But even then, it's not exactly bad what's going on, it's just wild, mad fun, unlike anything Keith has ever experienced. He starts edging closer to the stage, realizing he actually kind of likes what's he's hearing. This band know their shit. They can play. And then some punk in an army jacket taps him on the shoulder and says, "Hey man, I like your uniform." And he hands Keith a joint. And Keith, in a moment that will change his life forever, has a couple or few tokes. And next thing he knows, fuck it, he pulls out the ear plugs, tosses his security uniform jacket and joins the mob, and proceeds to have more wild fun than he's ever had in his life. And when the show's over, he allows himself backstage (still having his security badge), thanks the band for saving his life and then exits the theatre via the rear, never to return to work, or normal for that matter.

At least, that's how Keith told it to me.

Source with more videos etc:

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submitted 2 weeks ago* (last edited 2 weeks ago) by Gunk to c/punk_rock@lemmy.ca
 
 

8 years since the last album. Well worth the wait. It's a shame we won't be seeing them live in the states.

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G.L.O.S.S - Trans Day Of Revenge (girlslivingoutsidesocietysshit.bandcamp.com)
submitted 3 weeks ago by Gunk to c/punk_rock@lemmy.ca
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Sorry if we're spamming this community with too much Dead Pioneers lately. But they're my home town heroes now so not really that sorry.

If you don't dig 'em, I would be curious to hear why not. Someone on the YT comments said they're the band a middle age dude wanting to relive their HS punk days would form, but I don't see that. If this isn't current / correct for right now, I don't know what is.

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Anyone who has heard Give Me Convenience or Give Me Death has heard this, this is the video that track was taken from. The video here goes on a bit longer than the track.

Also I haven't watched it yet but here's the full set from that show: https://www.youtube.com/watch?v=xGB8zQd5Kjo

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Colorado, let's go.

Bonus live vid: https://www.youtube.com/watch?v=4hUPBi374r4

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I can't decide, honestly.

Updates to add:

  1. I am basically old. I saw X and TSOL and Black Flag live in the early 80s in Southern Cal. So if this was ageist of me, then I guess I'm disrespecting myself too. But it's not because...

  2. This is just about making money, nothing to do with the punk spirit. Lee Ving gets to pay his rent / have a little fun still, the concert promoter and the hall got some and paid their staffs (which is all fine, everyone's gotta eat) but there's nothing punk rock about this performance, other than the songs from the late 70s. And anyway...

  3. There's no age limit I suppose, but I hate to see artists still plugging away at this age (late 70s). I just saw X here a few months ago, they billed it as their last tour. I actually loved the show, but if they tour again next year, I will be disappointed in them. Time to do something else, imo.

I love that many of you still love to see this kind of thing, so I'm glad I shared it here; you do you. This is me.

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submitted 2 months ago* (last edited 2 months ago) by girlthing@lemmy.blahaj.zone to c/punk_rock@lemmy.ca
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live; song from the album Broken Star; punk, Chicago, 1998, Asian Man Records

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submitted 3 months ago* (last edited 3 months ago) by tastysaganaki@reddthat.com to c/punk_rock@lemmy.ca
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Pictures, facts, memories and emotions from an irrepressible, sweeping, wild, exciting time of the 70s and 80s.


Just sharing a fediverse acct I follow

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