Solarpunk

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The space to discuss Solarpunk itself and Solarpunk related stuff that doesn't fit elsewhere.

What is Solarpunk?

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founded 3 years ago
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I'm always looking for things to add to my RSS reader! I loved the Hundred Rabbits site that was posted here recently and thought others might have some nice submissions.

I recently found Sunshine and Seedlings which is substack, alas, but has some great content.

I'm also a fan of Low-tech Magazine.

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Solarpunk is a movement in speculative fiction, art, fashion, and activism that seeks to answer and embody the question “what does a sustainable civilization look like, and how can we get there?”

The aesthetics of solarpunk merge the practical with the beautiful, the well-designed with the green and lush, the bright and colorful with the earthy and solid.

Solarpunk can be utopian, just optimistic, or concerned with the struggles en route to a better world ,  but never dystopian. As our world roils with calamity, we need solutions, not only warnings.

Solutions to thrive without fossil fuels, to equitably manage real scarcity and share in abundance instead of supporting false scarcity and false abundance, to be kinder to each other and to the planet we share.

Solarpunk is at once a vision of the future, a thoughtful provocation, a way of living and a set of achievable proposals to get there.

  • We are solarpunks because optimism has been taken away from us and we are trying to take it back.
  • We are solarpunks because the only other options are denial or despair.
  • At its core, Solarpunk is a vision of a future that embodies the best of what humanity can achieve: a post-scarcity, post-hierarchy, post-capitalistic world where humanity sees itself as part of nature and clean energy replaces fossil fuels.
  • The “punk” in Solarpunk is about rebellion, counterculture, post-capitalism, decolonialism and enthusiasm. It is about going in a different direction than the mainstream, which is increasingly going in a scary direction.
  • Solarpunk is a movement as much as it is a genre: it is not just about the stories, it is also about how we can get there.
  • Solarpunk embraces a diversity of tactics: there is no single right way to do solarpunk. Instead, diverse communities from around the world adopt the name and the ideas, and build little nests of self-sustaining revolution.
  • Solarpunk provides a valuable new perspective, a paradigm and a vocabulary through which to describe one possible future. Instead of embracing retrofuturism, solarpunk looks completely to the future. Not an alternative future, but a possible future.
  • Our futurism is not nihilistic like cyberpunk and it avoids steampunk’s potentially quasi-reactionary tendencies: it is about ingenuity, generativity, independence, and community.
  • Solarpunk emphasizes environmental sustainability and social justice.
  • Solarpunk is about finding ways to make life more wonderful for us right now, and also for the generations that follow us.
  • Our future must involve repurposing and creating new things from what we already have. Imagine “smart cities” being junked in favor of smart citizenry.
  • Solarpunk recognizes the historical influence politics and science fiction have had on each other.
  • Solarpunk recognizes science fiction as not just entertainment but as a form of activism.
  • Solarpunk wants to counter the scenarios of a dying earth, an insuperable gap between rich and poor, and a society controlled by corporations. Not in hundreds of years, but within reach.
  • Solarpunk is about youth maker culture, local solutions, local energy grids, ways of creating autonomous functioning systems. It is about loving the world.
  • Solarpunk culture includes all cultures, religions, abilities, sexes, genders and sexual identities.
  • Solarpunk is the idea of humanity achieving a social evolution that embraces not just mere tolerance, but a more expansive compassion and acceptance.
  • The visual aesthetics of Solarpunk are open and evolving. As it stands, it is a mash-up of the following:
    • 1800s age-of-sail/frontier living (but with more bicycles)
    • Creative reuse of existing infrastructure (sometimes post-apocalyptic, sometimes present-weird)
    • Appropriate technology
    • Art Nouveau
    • Hayao Miyazaki
    • Jugaad-style innovation from the non-Western world
    • High-tech backends with simple, elegant outputs
  • Solarpunk is set in a future built according to principles of New Urbanism or New Pedestrianism and environmental sustainability.
  • Solarpunk envisions a built environment creatively adapted for solar gain, amongst other things, using different technologies. The objective is to promote self sufficiency and living within natural limits.
  • In Solarpunk we’ve pulled back just in time to stop the slow destruction of our planet. We’ve learned to use science wisely, for the betterment of our life conditions as part of our planet. We’re no longer overlords. We’re caretakers. We’re gardeners.
  • Solarpunk:
    • is diverse
    • has room for spirituality and science to coexist
    • is beautiful
    • can happen. Now!
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submitted 1 week ago* (last edited 1 week ago) by sam_uk@slrpnk.net to c/solarpunk@slrpnk.net
 
 

A global snapshot of the health of our planet and its people

https://planetaryhealthdashboard.org/

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Acquiring solar panels at home can be an expensive hassle for people in the US. But small, simple, plug-in solar panels for use on balconies are soon to become available for millions of Americans, with advocates hoping the technology will quickly go mainstream.

Earlier this year, Utah became the first state in the country to pass legislation allowing people to purchase and install small, portable solar panels that plug into a standard wall socket.

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Its winter where I live and winter means cold. Currently its below freezing outside. My offgrid heating is limited to the point I have to sometimes layer up to be comfortable.

I discovered a technique that helps me out a lot this season. A 12v car blanket wraped around your shoulders like a poncho and then put a heavy coat layer. Its a really effective way to insulate both yourself and the blanket.

You might be wondering why a 12v blanket instead of a house electric blanket. For offgrid power a 12v blanket is much easier on limited battery systems. Also, 12v blankets dont have 8 hour safety shutoffs they stay on forever.

In the picture is my polar grade Baffin booties most comfortable Cold weather slippies you can get I hightly recommend if you get cold feet.

The only other tip I have is good layering. Wool socks, multiple thermal underwear layers, hat and gloves. Each piece of clothing added helps even out the difference. Electric just amplifies h effect and makes it so you don't need as much.

Put thermally insulated blanketing on your furniture. Wool blankets are good and duvet type puffy blankets are useful. Consider making an insulated hot table.

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submitted 2 weeks ago* (last edited 2 weeks ago) by stabby_cicada@slrpnk.net to c/solarpunk@slrpnk.net
 
 

Tldr: the author reviews Jeremy Brecher’s Green New Deal From Below, which calls for environmentalist activists to "outflank" Trump's anti-environment federal policies by engaging in “hundreds of arenas at state, local, and civil society levels.” The author compares this approach with green syndicalism and discusses many examples of local collective action, ultimately concluding Brecher's approach relies too much on lobbying politicians and working within the system but can help build the grassroots efforts, alliances, and working class social power necessary for a true green revolution.

I know it's a long article but I thought it (the review and the book itself) are/will be worth reading.

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An amazing, hopeful story from Anarcasper over on Substack. #solarpunk #resist

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By showing up in mass (especially for a small, rural town), Kalkaska, MI made it pretty clear that data centers weren't welcome there. It even drew attention of a senator. But it's an interesting case. Matt Rine, the person who proposed the data center project, was "playing nice" compared to other larger companies that head these kinds of projects. Instead of bulldozing into rural communities regardless of consent from local communities, Rine was scoping out public opinion first and taking it into consideration before moving beyond the conceptualization phase.

Data centers in rural areas need local support to supplement the labor to build and run these facilities which can give locals a lot of power to dictate if one is built there. But support and accurate representation of the people in these rural communities from the local government seems pivotal. This article describes a situation in the same state where locals and local government initially rejected the development of a data center. But after the company sued the township, the township turned back around and accepted the data center project. Township officials claimed they didn't want the costs of the legal battle to fall onto the taxpayers. But really, they just caused far more costly issues that will ultimately fall onto the residents in the future.

I'd love to hear of other success stories in rejecting data center building. If you have any, share them!

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LOS ANGELES — To many locals, the Los Angeles River — hugged by concrete embankments and heavy vehicle traffic — hardly seems like a river at all.

The waterway bisecting the city was converted to a giant storm drain nearly a century ago to contain flood waters. Today, it's an extension of the urban network of concrete, running beneath freeways and bridges as it collects all kinds of refuse: spent tires, scrap metal, trash thrown from car windows.

But when Doug Rosenberg came upon a shopping cart tipped over in the river's shallow waters back in 2020, he saw the potential to meet nature halfway.

"It had begun to bloom some greenery around it, and there was a great blue heron perched on the cart, hunting in this little spot," Rosenberg recalled. "That was when it clicked for me — that any 3D geometry at all in that river channel will trap sediment, will begin a micro-bloom of ecosystem."

The 36-year-old artist saw an amusing paradox — life sprouting from the metal cart — that planted the seed for his next project: a pop-up wetland in the middle of the LA River.

In a desolate part of downtown, he pushed large rocks from the riverbanks into the water and arranged them in loose, concentric circles. The structure would trap sediment, allowing life to take root.

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Data centres that supply domestic heating aren't new, but I've never seen a distributed model like this before.

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Just curious, do you tinker with small solar panels to recharge batteries for your projects?

I bought a chinese one and its performance is abysmal, so I thought I'd better ask around before buying more ewaste :-/

I'd love a solar powered robot but that seems hard, but wifi modules and control systems should be able to work solar only, right?

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“solar mamas” trained in Zanzibar by Barefoot College International, a global nonprofit, through a program that brings light to rural communities and provides jobs for local women. So far in Zanzibar, it has lit 1,845 homes [in 10 years].

The program selects middle-aged women, most with little or no formal education, from villages without electricity and trains them over six months to become solar power technicians.

Barefoot College International focuses on middle-aged women because they tend to have the strongest links to their communities while not often involved in intensive child care.

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India’s solar additions surged 70% year on year to 29.5 GW in the first three quarters of 2025, driven by rapid utility-scale and rooftop deployment, according to JMK Research.

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Thanks to our anti-social social order, many people are struggling with a lack of community in their lives. We can change that. Let's revisit the village of the past then sketch out a radical vision for the future of community.

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In short, capitalism pays no price for nature’s gifts even though these gifts are immensely valuable. Yet they are valuable in only one of two key senses of value: they have use value but not exchange value. (Exchange value comes into play only later, after they have been harvested, extracted, appropriated, and offered on the market.) Because they have no exchange value, the “free gifts” are free because they are priced at zero.

And with that, we’re deep into the weeds with Karl Marx.

I think this is a very solarpunk-ish insight and look forward to reading this book.

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The title's a little blunt, but the message is more "what is Solarpunk art good for", explaining how aesthetics can be co-opted, why art is important for the movement, but also some common criticisms of the aesthetic uses of solarpunk.

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