Ignacio

Founder of Identitarian Movement, Martin Sellner, preaches superiority of European ethnic groups and was banned from Twitter in 2020

Cross-posted from here: https://beehaw.org/post/12259834

Well, my issue is simple to explain, but I tried everything to solve it without success.

I like recording gameplays, just for fun. The game I currently make recordings for is not resource heavy (it's Doom 2 through GZDoom). I'm using Lubuntu 22.04.

So, here is the command I've just used:

ffmpeg -f x11grab -draw_mouse 0 -framerate 30 -probesize 42M -video_size 1920x1080 -i :0 -f pulse -i default -c:v libvpx-vp9 -r 30 -g 90 -quality realtime -frame-parallel 1 -qmin 4 -qmax 48 -b:v 4500k -c:a libvorbis prueba.mkv

The issue is, if I record without including the audio, then the video plays smoothly after being recorded. But if I record including the audio, no matter what parameters, codecs, bitrate or anything I use, then the video is barely watchable, with lots of choppiness, and even with delay between audio and video, apparently.

SimpleScreenRecorder works fine, but sometimes there are few frames dropped and I don't like it much. OBS is very heavy for my hardware (Mac Mini 2016, Intel Core i5 1.4 GHz 4260U, Intel HD Graphics 4000, 4 GB RAM).

I also tried VAAPI, with same results as above.

And the thing is that I remember recording some years ago, with no issues at all.

I don't know what to do. Any tip or solution?

I like recording my gameplays as a hobby, especially since I watched some youtubers recording theirs. But I have some issues on Lubuntu:

• OBS is too heavy for my hardware, which is a Mac Mini 2016. Everytime I tried to do some recordings, video appeared heavily stuttered.

• Ffmpeg is very lightweight, and I was experimenting with it, but for some reason video appears faster and ahead from audio, out of sync.

• SSR (SimpleScreenRecorder) is the best option for me. But sometimes there are dropped frames. Not too many, although enough to be noticeable at some times.

Now, my issue with SSR is that I want to use the OpenGL option to see how good or bad it is. The problem is that there is no information on internet except for Steam. And when I want to execute the command ssr-glinject [program], a segmentation fault appears.

What can I do?

The Ministry of Health considers that it is a necessity that visual health be incorporated into the common portfolio of primary care.

What is ownership in the digital age?

The big media companies want to redefine what it means to purchase content. They want everything to be a rental, even if you pay full price. That's dumb.

The death this Wednesday of the screenwriter Eduardo Ladrón de Guevara, at the age of 80, has coincided with the farewell of the iconic series of which he was co-creator, Cuéntame cómo pasó.

An ending that seems scripted and that many have wanted to take advantage of to highlight the contribution of Ladrón de Guevara (Madrid 1943-2023) to comedy in cathodic fiction.

"We say goodbye to Eduardo Ladrón de Guevara (Madrid 1943-2023), who died today. He was one of the creators of Cuéntame, a series that ends its broadcast tonight. We appreciate his talent and his work in a long career as a #screenwriter. Rest in peace ", wrote the ALMA screenwriters union, in a comment on X.

The screenwriter Ignacio del Moral, a friend and colleague of his since they met in Eva y Adán, agencia matrimonial, has described him as "a fun, cultured, committed, joking and grumpy guy."

As it could not be less, the official Cuéntame account has joined the tributes: "Our history could not have been written without him."

Ladrón de Guevara was, along with Patrick Buckley and Miguel Bernardeau, one of the creators of Cuéntame cómo pasó, a series in which he developed the format, in addition to writing and coordinating a large part of its scripts for 17 seasons.

From journalism to television

He began his professional career as a journalist in newspapers such as Informaciones y Pueblo – an editorial that would inspire Toni Alcántara's work in the series –, in addition to collaborating with agencies such as Fax-Press and Colpisa.

He abandoned journalism to dedicate himself to writing plays and television fiction. Before Cuéntame, he worked on other legendary series such as Farmacia de Guardia or Los ladrones van a la oficina and others such as Tío Willy, Eva y Adán, agencia matrimonial, Querido maestro, Siete días de amor, Manolito Gafotas or Gente encantadora.

As a screenwriter he was awarded various national and international awards: New York Festival, Ondas, Fotogramas, Academia de las Artes y las Ciencias de Televisión, the Premio Nacional de Televisión in its first edition. He was nominated for an Emmy in 2003 as co-creator of Cuéntame.

Although his best-known work was as a screenwriter, he wrote more than twenty plays and won awards such as the Calderón de la Barca, Borne, Rojas Zorrilla and Ciudad de San Sebastián, and novels, such as El champán frío y la venganza caliente.

Americans are often surprised to learn than they aren't "Americans" in Spanish, but something else entirely. Spanish speakers are equally surprised to learn that insisting that Mexicans, Chileans, and Venezuelans are "Americans" in English is wrong. This video is an attempt to remedy this gulf in communication between countries and continents (or is it all just one continent?)

Surveillance and the threat of imprisonment: Euronews spoke to Russian queer activists who have chosen to stay in the country, despite increasing hostility towards the LGBTQ+ community