The split makes more sense for the moderate Liberals, getting away from The Nationals does give them the opportunity to free up their policy platform a bit and finally start addressing some of the issues that the conservative faction wants to continue ignoring. Though the split also looks very bad for Ley's leadership which is probably why she has raced back to the negotating table. It makes very little sense for The Nationals, beyond Littleproud protecting his own leadership by taking a hardline stance on key policy issues to appease his internal critics. Neither the party, nor its voters, gain any power from leaving the Coalition to become a minor party and lose all of extra staff, pay and influence that they otherwise would have had. It's all well and good to say you're taking a principled position to advocate for your constituents, but if you massively undercutting your own political power in the process then what is the point? The only thing I can think of is that they'll be free to negotiate with Labor in the senate at the expense of the Liberals and Greens, but is that actually a real possibility?
Ilandar
They have already stopped development and removed all versions with Spotify implementation.
Is this an unofficial Nausicaa game? I am immediately interested just cause of the visual similarities.
Spotube is also complying with a cease and desist from Spotify and can no longer access the Spotify API or anything related with the service.
It wasn't performative, the decision to split was not a universally popular one within either party room and both leaders are under a lot of pressure. I think both have realised that such a snap decision was not a particularly wise one and are now reconsidering before their respective frontbench positions are locked in. It doesn't necessarily mean they will reunite.
It's pretty weird that you were so desperate to avoid spoiling that one scene but then proceeded to spoil large chunks of the rest of the film.
It's amazing how quickly the industry can change for the better when it wants to.
Does that mean the Nats think the Coalition lost because they weren’t implementing enough of their policies?
No, the disagreement is over what happens next. The Liberals under Ley want to conduct a campaign review in which every aspect of the Coalition's policy platform is scrutinised, with nothing safe or off the table. The Nationals are not happy with this, because they have four key policy areas (nuclear, supermarket divestiture, regional future fund, mobile phone coverage in regional areas) that they believe should be retained for now.
It's important to remember that the Liberals and the Nationals are actually very different in terms of who they represent. After an election where the Nationals held all their seats while the Liberals got decimated, the Nationals do not believe it is fair to them or the regional communities they represent for their key policy positions to be at risk of being thrown out just because the Liberals are having an identity crisis. Essentially, the Nationals issued an ultimatum based on their increased importance to the Coalition but the Liberals called their bluff.
Other entrants also advertised
There were also ad campaigns for other entries this year. Social media users in parts of Europe reported seeing sponsored posts for Malta, Greece, Albania, Poland, Armenia and France, although some of these were run by the artists themselves via their own social platforms, and some were promoted via the competing broadcaster in the territory. In some cases, ads were run weeks ahead of the contest, without a prompt to vote.
Maltese singer Miriana Conte ran a series of ads through her own Meta platforms, as can be seen in the Meta Ad Library. An ad campaign for the Greek entry, Klavdia, was run on Meta platforms by Greek broadcaster ERT, via an official Facebook page the broadcaster has for the song contest. Physical poster advertisements were seen in Italy for Tommy Cash, the Estonian entry, whose song makes multiple references to Italian culture. The poster showed the ads appeared to have been run by Epic Records Italy, a division of Sony Music. The Spotify listing for the song, ‘Espresso Macchiato’, shows it is under exclusive licence to Sony Music Entertainment Italy S.p.A.
I watched The Central Park Five (2012), a documentary about the Central Park jogger case from 1989. I actually watched it on the PBS History channel on Samsung TV Plus, of all places. I just decided to flick through to see if anything interesting was on and when I saw that was starting I thought it might be a good time to sit down and learn about the case. It was my favourite type of documentary, where there is no narrator or visible journalist so you just get witness testimonies, music and archival footage and it really sucks you into that moment in time.
I also watched a bit of Terminator 2, also on Samsung TV Plus. I've seen it before and I wasn't really in the mood to sit through the entire thing but the first 30 - 40 minutes or so were as fun as I remembered. I don't know why, but sometimes watching a film "live" on TV, even in lower quality and ad breaks, is more enjoyable to me. I guess it's because when I was a kid watching films on commercial TV was actually a big thing. It's hard to describe but I've always loved the feeling of knowing there is someone else out there watching it at the same time as me, maybe getting up at the same time to make a cup of tea or get some snacks during an ad break.
Yeah that's along the lines of what I was thinking, but I agree that it doesn't seem logical. There's clearly some weird stuff going on; this whole saga on 7.30 last night was bizarre.