Music

Auf YouTube findest du die angesagtesten Videos und Tracks. Außerdem kannst du eigene Inhalte hochladen und mit Freunden oder gleich der ganzen Welt teilen.

It's winter in the northern hemisphere, and I want to find more music with a wintery vibe. What do y'all recommend?

Here's some that I found so far:

All Neon Like - Bjork (all of homogenic and vespertine for that matter)

Aurora - Bjork

Twin Peaks Theme

Lazy Calm - Cocteau Twins

The Tourist - Radiohead

You may be rich, you may be poor

You may be high, you may be low

You were not born by accident

There's a reason why you were sent

You were sent to this world

Everybody was sent to this world

Makes no difference who you are

You were sent to this world, yeah

Sent here to live in this old world

Sent here to live in this old world

Make the best you can of your effort

Make the best you can of your effort

Be careful how you treat others

Be careful how you treat others

Be careful how you treat others

Be careful how you treat others

Sent here to live in this old world

Sent here to live in this old world

Granted, this is basically a caprice of mine, but I think it would be good for the community overall.

A pretty easy observation is that by far the most upvoted posts here are those with music that is already popular, particularly that which has been popular in the past. This can't be just because there's no current good music outside the mainstream — more likely, people readily upvote what they're familiar with, but don't listen through everything posted.

Personally I prefer to listen to and post less-known music, but I have to admit that I also don't listen to most of what's posted despite being here almost every day — because I use Invidious instead of Youtube, and that works like total ass lately. However, I do put effort into getting something to play if the name or the genre catches my attention. I would engage with considerably more posts if I knew that I'm getting jazz, metal, industrial and such from it.

My suspicion is that other people are in approximately the same boat, and would be more interested if they knew they would probably like the music. It's kinda like saying, “You like industrial-rap of Death Grips? You might like Dälek and Clipping.” — of which latter two the person might've never heard before.

Of course, I'd expect something more involved than ‘rock’ on the posts, so perhaps this would be too much to ask for. (Though then again, my personal discernment improved when I started figuring out what styles I'm listening to. Discogs also helps a lot.)

https://indie-sound.com/2026/01/09/the-t-a-t-u-songwriters-new-chapter-an-exclusive-interview-with-composer-sergio-galoyan/

The bass solo is a bit annoying, but the rest is pretty damn good.

playlist link:

https://open.spotify.com/playlist/6F3sCPmocAQDMNRNg7TZZb

1. Lady Stardust (David Bowie / versão: Seu Jorge)
 2. Rock ’n’ Roll Suicide (David Bowie / versão: Seu Jorge)
 3. Queen Bitch (David Bowie / versão: Seu Jorge)
 4. Oh! You Pretty Things (David Bowie / versão: Seu Jorge)
 5. Suffragette City (David Bowie / versão: Seu Jorge)
 6. Changes (David Bowie / versão: Seu Jorge)
 7. Rebel Rebel (David Bowie / versão: Seu Jorge)
 8. Quicksand (David Bowie / versão: Seu Jorge)
 9. Five Years (David Bowie / versão: Seu Jorge)
 10. Team Zissou (Seu Jorge)
 11. Ziggy Stardust (David Bowie / versão: Seu Jorge)
 12. Space Oddity (David Bowie / versão: Seu Jorge)
 13. When I Live My Dream (David Bowie / versão: Seu Jorge)
 14. Life on Mars? (David Bowie / versão: Seu Jorge)
 15. Starman (David Bowie / versão: Carlos Stein, Sady Homrich e Thedy Corrêa — Nenhum de Nós)

If it aint just, it aint a law worth obeying for any of yall

playlist link:

https://open.spotify.com/playlist/6F3sCPmocAQDMNRNg7TZZb

The Gnossiennes Nos. 4–6 were published only in 1968, long after Satie's death. None of these appear to have been numbered, nor even titled as "Gnossienne" by Satie himself. The sequence of these three Gnossiennes in the 1968 publication by Robert Caby does not correspond with the chronological order of composition. It is extremely unlikely that Satie would have seen these compositions as three members of a single set.