this post was submitted on 27 Oct 2025
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The answer is capitalism, I know.

But it wasn't always like this. Why the hell are they allowed to absolutely monopolize all shows and venues? How are there not laws on this?

Is stopping going to any shows the only way to fix this? If so, that wont happen. People are gonna go see their favorite bands (and ticketmonster knows it)

I wish this one was as easy as getting rid of all my streaming services - but they really fucked us over for live shows.

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[–] HubertManne@piefed.social 1 points 6 days ago

I can answer that.....for money.

[–] artifex@piefed.social 146 points 1 week ago (3 children)

If Pearl Jam couldn’t fix it in the 90s and Taylor swift couldn’t fix it in the 2020s that tells you just how much money is behind them.

[–] UnderpantsWeevil@lemmy.world 67 points 1 week ago (2 children)

It's not something a single artist can fix. You'd need some kind of mass movement of artists organizing and auctioning their labor as a collective unit, rather than a bunch of freelancers and independent labels competing with one another for space in an increasingly monpolized marketplace.

[–] BigDiction@lemmy.world 15 points 1 week ago (2 children)

Big artists are contractually getting a cut of those crazy high resell prices and fees.

Every big artist could do verified fan presales like the second round of Eras tour shows, but the reality is that popular artists would be leaving money on the table.

To be fair, only the richest artists can self produce a US nation wide tour. It’s often not up to the artists themselves.

[–] UnderpantsWeevil@lemmy.world 12 points 1 week ago

Big artists are contractually getting a cut of those crazy high resell prices and fees.

Unless their managers are exceptionally savvy, they're not. They get a base rate on ticket sold. Then the broker can operate as seller and re-seller of the allotment of tickets. So Ticketmaster sells tickets to Ticketmaster, guaranteeing Beyonce a sold-out performance. And then Ticketmaster resells the tickets at auction rates to the general public.

Every big artist could do verified fan presales like the second round of Eras tour shows

Swift had the leverage to cut exceptional deals by promising to expand the size and scope of her performances in exchange for a better rate of return. That's because her audience is large enough and the venues are small enough that there's functionally no upper limit on ticket sales beyond her ability to do sequential performances.

For very obvious reasons, most artists don't get this kind of treatment.

To be fair, only the richest artists can self produce a US nation wide tour.

It isn't a matter of artist wealth so much as the point of market saturation. If you roll into a town with 50,000 fans and the biggest venue only seats 500 people, you can keep throwing sold-out shows, week after week. This is effectively how successful baseball (up to 162 games/year) and basketball (82 games/year) franchises operate.

But if you can't guarantee a sold-out crowd, you're effectively paying the venue for the privilege of performing. As more small venues shut down and bigger venues consolidate, artists find fewer places to profitably perform their craft. Its been a rule in the industry for a while that you make money on tour by selling merch (t-shirts, albums, signed drum sticks, whatever) rather than tickets. Ticketmaster complicates this math by effectively promising to buy out the venue (by selling tickets to itself) at a markdown, then auctioning off the tickets at a markup. That shrinks the audience, which shrinks the pool of people buying the merch.

Its a vicious cycle that's been collapsing the live music industry for over a decade.

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[–] acockworkorange@mander.xyz 9 points 1 week ago (1 children)

If only there was a branch of the government dedicated to ensuring the free market stays competitive and free of trusts...

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[–] NewNewAugustEast@lemmy.zip 41 points 1 week ago

And the grateful dead, selling tickets via mail order from their own office to the end.

Jerry said he hated that income decided who could or couldn't come hear music.

Can't have a freak show without the freaks.

[–] NuXCOM_90Percent@lemmy.zip 12 points 1 week ago* (last edited 1 week ago) (1 children)

T Swizzle is, funny enough, a big chunk of why things have escalated so much. Like her or hate her, she puts on a motha fugging SHOW with incredibly high production values and comparatively limited dates. That drastically increases the baseline price and makes the scalping market start selling their coke filled labubus to get even more seats.

Which, in turn, makes her contemporaries feel the need to put on a comparable show even though they are nowhere near talented or popular enough to make it work. Otherwise you start having very real discussions about why Famous Astronaut Katie Perry is nowhere near as expensive as the Swizzle Stick.

And ticketmaster mostly is just there to help facilitate that scalping and to add obnoxious (and expensive) infrastructure to prevent every single ticket from being sold to the scalpers who stand in line when the booth opens (80s and 90s kids will remember that).


You can very much see this in the pro wrestling space. In a venue that (company full of racist sex traffickers) WWE is a regular at? Basically everyone but AEW is priced out of even having a show and AEW suffers from needing to not be a laughing stock next to WWE on the ticket prices which results in overpriced tickets and blacked out sections of the arena during panning shots. A venue that WWE doesn't go to very often? You have a lot more genuine indie shows and you can get ringside tickets to an AEW event for under 200 bucks.

And ticketmaster fucking sucks but mostly they are just there to be vultures on whatever demand is already there. They can't really do much if you have regularly priced tickets going to "actual fans".

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[–] HikingVet@lemmy.ca 74 points 1 week ago (1 children)

We were warned in the 90's.

[–] UnderpantsWeevil@lemmy.world 58 points 1 week ago* (last edited 1 week ago) (1 children)

Ticket Ghost of Ticket Future: "Don't buy from Ticketmaster"

Me, in the Present: "Okay, but I still want to go to the concert"

Ticket Ghost: "You're going to feel weird in ten years, when you find out what Kanye gets up to. But you do meet someone at the event to hook up with, have an on-again off-again relationship for three years, the sex is amazing but you're on totally different career tracks. You end up seeing other people, and now you live in the same neighborhood and your kids are friends. Which is nice but also a bit weird at parties."

Me: "Wow. That's... a lot to take in."

Ticket Ghost: "Sorry, bro. I tried to warn you two weeks ago not to take those edibles because they'd give you psychic premonitions, but you hadn't taken the edibles yet so you couldn't listen..."

Me: vomiting sounds as I clutch the toilet

So do the partners know about y'alls past boinking?

[–] Mobiuthuselah@mander.xyz 68 points 1 week ago (2 children)

There are currently lawsuits against them, but it takes time. This is from NC Attorney General Jeff Jackson's newsletter earlier this year:

"The People vs. Ticketmaster/Live Nation

I’m forcing myself to only pick one case to go into detail about - but it’s a great one.

Let’s say you want to make a bunch of money by supplying live entertainment, primarily the music industry.

Well, the three big pieces in that business are:

The venue

The right to promote the event

The right to sell the tickets

Now imagine you control each of those. You own venues, and you promote the events, and you sell the tickets.

Congratulations - you’re a monopoly.

You’ve achieved vertical integration within your business, which means the sum of those parts has unlocked the ability to gouge customers with the confidence that they won’t be able to find a competitor to offer them a better deal. And using your monopoly to further entrench your power to charge customers higher prices is against the law.

This is exactly what I, along with a bipartisan group of AGs, allege that Ticketmaster/Live Nation has done.

They've turned concert ticket fees into something fans call the “Ticketmaster Tax.” These are the “convenience fees,” “processing fees,” and “handling fees” that add up quickly, inflating ticket prices by huge margins.

Why can they get away with it? Because they've locked venues into exclusive contracts, squeezing out any chance of competition.

But it gets worse. If venues try to resist and explore other options, Live Nation retaliates by threatening to strip venues of popular acts. The internal emails from Live Nation executives detailed in our lawsuit are explicit and awful.

Which means, if you’re an independent venue that doesn't use Ticketmaster, good luck booking artists. Ticketmaster controls ticket sales and Live Nation controls promotion, so artists who are promoted by Live Nation typically won't be allowed to perform at venues that refuse to use Ticketmaster for ticketing.

This is textbook unlawful monopoly behavior. Consumers are paying higher prices and artists and venues are suffering from reduced competition and income.

The good news is that Live Nation just tried - but failed - to get our lawsuit dismissed. That’s a big step toward accountability, including our ultimate request that Live Nation be required to divest Ticketmaster, which it acquired in 2011 and which became the linchpin for much of their monopolistic behavior."

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[–] BlameTheAntifa@lemmy.world 48 points 1 week ago* (last edited 1 week ago)

And congratulations, the current US administration now considers you a terrorist. Complaining about being abused and exploited is anti-capitalist.

[–] LoafedBurrito@lemmy.world 35 points 1 week ago (2 children)

Something happened in the last 20 years where billionaires were able to buy the government and monopolies are now no longer illegal or controlled.

I have a rare one, i've NEVER purchased a ticket through ticketmaster, so i'm glad they never got my money. Too much free/cheap live music local to me anyway.

[–] Appleseuss@lemmy.world 15 points 1 week ago

Citizens United

[–] jjjalljs@ttrpg.network 11 points 1 week ago

I'm pretty sure Reagan's administration decided to just stop enforcing anti monopoly stuff

[–] SoftestSapphic@lemmy.world 35 points 1 week ago (32 children)

Nothing will meaningfully improve until the rich fear for their lives

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[–] BarneyPiccolo@lemmy.today 27 points 1 week ago (4 children)

Ticketmaster is a perfect example of how much politicians are full of shit, all of them.

You know those Congressional Dog & Pony Shows, where they drag out the CEOs of some industry, holler at them all day, and then go back to their office and do absolutely nothing about what they just hollered about?

They did that with Ticketmaster in 1994, again in 2009, and again in 2023. Every 15 years or so, they get outraged in public, and do nothing. I'm sure it has nothing to do with Ticketmaster making enormous campaign contributions to everyone in office.

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[–] DrSleepless@lemmy.world 23 points 1 week ago (2 children)

Got to smaller shows at local clubs

[–] N0t_5ure@lemmy.world 15 points 1 week ago (4 children)

This is the way. I've seen so many great bands at clubs before they blew up. Why spend hundreds of dollars to see a show produced for mass consumption at a stadium when you can drop $20 and see a hungry up-and-comer pour out their heart and soul to a hundred people. It's a way better experience.

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[–] neidu3@sh.itjust.works 22 points 1 week ago (2 children)

Basically, through mergers and acquisitions they're dominating the venue market. It used to be that there were many actors, but now everything is everything under the Ticketmaster umbrella.

It's convenient for artists, as they only have one point if contact needed per location in terms of booking, ticket sales, merch, and everything else around the concert/event.

It's convenient for venues, as Ticketmaster brings in business. However, it's a double edged sword: Do something Ticketmaster doesn't approve of, such as use a competitor, and you're not getting the big headliners.

It's awful for the rest of us, as we then have to deal with a monopoly pushing up the prices.

I am cautiously optimistic about the long term outlook, though: The Ticketmaster hate is widespread to the point where some artists refuse to work with them, as they feel their fans are getting robbed with the band getting the blame. And they are the ones with the leverage to turn things around - artists with integrity will put their fans first, and that is what will hopefully bring long term change for the better.

[–] pelespirit@sh.itjust.works 11 points 1 week ago

So basically, they're the mob.

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[–] Tedesche@lemmy.world 21 points 1 week ago (2 children)

Unregulated capitalism. Specifically, unenforced monopoly laws, which the U.S. has been terrible at.

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[–] NewNewAugustEast@lemmy.zip 15 points 1 week ago

I simply won't go. I won't stream their live shows either, because charging for that is also very lame.

There is still plenty of live music to be had, by decent performers at a local scale. Although even then, lots of small venues use AXS to sell tickets which is the second largest global ticket company so it is not much better.

It is harder and harder to find $10 at the door in cash, but they are out there.

[–] mrmaplebar@fedia.io 14 points 1 week ago
  1. A competent government would see Ticketmaster and LiveNation as the effective trust/monopoly that they are, and break them up into multiple smaller, competing companies.
  2. To his credit, Biden passed executive action to ban bullshit "junk fees" that get tacked on to ticket prices (among other things). I'm honestly not sure what became of that rule once Trump got into power, but it is absolutely a rule that we need.
  3. We need like 50x more scrutiny on corporate mergers and collusion of corporate entities to jack up prices.
[–] Triumph@fedia.io 14 points 1 week ago (1 children)

It's a symbiotic relationship. Ticketmaster takes the heat for adding cost, the venues get some kickback and don't have to have an expense on their books. Everyone is complicit.

[–] NewNewAugustEast@lemmy.zip 12 points 1 week ago (1 children)

Small venues maybe, but Ticketmaster owns all the larger ones.

[–] Triumph@fedia.io 12 points 1 week ago

Oh sure, that, too. That was their phase two, buying up venues.

[–] Novocirab@feddit.org 14 points 1 week ago* (last edited 1 week ago)

Here's why you're getting enshittified: we deliberately decided to stop enforcing competition laws. As a result, companies formed monopolies and cartels. This means that they don't have to worry about losing your business or labor to a competitor, because they don't compete. It also means that they can handily capture their regulators, because they can easily agree on a set of policy priorities and use the billions they've amassed by not competing to capture their regulators. They can hold a whip hand over their formerly powerful tech workers, mass-firing them and terrorizing them out of any Tron-inspired conceits about "fighting for the user." Finally, they can use IP law to shut down anyone who makes technology that disenshittifies their offerings.

You can take care to avoid enshittification, you can even make a fetish out of it, but without addressing these systemic failings, your individual actions will only get you so far. Sure, use privacy-enhancing tools like Signal to communicate with other people, but if the only way to get your kid to their little league game is to join the carpool group on Facebook, you're going to hemorrhage data about everything you do to Meta.

https://pluralistic.net/2025/07/31/unsatisfying-answers/#systemic-problems

[–] Boozilla@lemmy.world 13 points 1 week ago (1 children)

Consumers could fix it by boycotting them until they cease to exist, meanwhile buy merch from the artists you like.

But this requires people to temporarily sacrifice their desires and experience some FOMO, so it's unlikely to ever happen.

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[–] prole@lemmy.blahaj.zone 12 points 1 week ago

Deregulation and regulatory capture

[–] drmoose@lemmy.world 12 points 1 week ago (1 children)

They are extremely litigious. I work in software security and they are notorious for basically having an ocean of lawyers.

[–] Tollana1234567@lemmy.today 10 points 1 week ago

they sound like 3 insulin companies that had a stranglehold on the types of insulin for type 1 diabetics. they were aggressively pursuing any attempt to make thier own version until recently, they backed off.

[–] rabber@lemmy.ca 10 points 1 week ago* (last edited 1 week ago) (1 children)

Was my dream to catch Rush on this tour. 1000 cad per ticket. I can go to a European metal festival for the same price and see 120 bands.

Blame the artists too. Neil young capped tickets this year's tour at 120 with no ability to resell.

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[–] hperrin@lemmy.ca 10 points 1 week ago

There are laws and they’re probably in violation of them, but if you expect Trump’s DOJ to go after monopolies, you’ll die waiting.

[–] phoenixz@lemmy.ca 9 points 1 week ago

Because politicians stopped working for us since a long time ago

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